Horror News
👻 Giant Spider Invasion rights sold: https://www.antiquetrader.com/auctions/the-giant-spider-invasion-film-and-iconic-prop-go-up-for-auction
👻 Austin Butler cast in new American Psycho: https://variety.com/2024/film/global/austin-butler-luca-guadagnino-american-psycho-1236245941/
👻 Hollywood Forever Cemetery transformed into Nosferatu experience: https://enterdelusion.com/nosferatu/
👻 Autopsy Room 4 from Stephen King getting an adaptation: https://www.joblo.com/autopsy-room-four/
Please check out our other episodes and don't forget to drop a like and subscribe. 🔪 If you have a movie you'd like us to watch, or you bet that Cassidy hasn't seen, drop us a comment for a future episode!
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In this episode of the Killer Cuties Podcast, hosts Kd and Cassidy dive into the film 'Nightbitch,' starring Amy Adams, discussing its limited release and the challenges of adapting the book by Rachel Yoder. They also cover various news highlights from the film industry, including upcoming adaptations and events. The conversation explores the differences between the book and the film, particularly in character development and thematic elements, while also touching on the overall tone and execution of the movie. In this conversation, Cassidy and Kd explore the themes of motherhood and identity as portrayed in the film adaptation of 'Nightbitch.' They discuss character dynamics, the humor in the book versus the film, artistic choices made during production, and the reactions to gender dynamics within the story. The conversation also touches on the author's perspective on motherhood and the portrayal of parenting in media, leading to a broader discussion on societal expectations and personal experiences. In this conversation, the hosts delve into the complexities of motherhood, personal identity, and the impact of these themes on film. They discuss their ratings for the movie 'Nightbitch', reflecting on its portrayal of motherhood and the accessibility of its themes. The conversation transitions into a preview of the next film, 'Better Watch Out', highlighting the blend of horror and holiday themes.
Chapters
00:00:00 Intro & Horror News
00:10:35 Overview & Fun Facts: Nightbitch
00:41:41 Ratings: Nightbitch 00:48:49 Would We Survive
00:50:28 Next Week: Better Watch Out
Total: 00:57:13
00:00:25
Hello?
00:00:26
Hello?
00:00:27
You sound confused to be here.
00:00:30
We were just sitting there with our dicks in our hands.
00:00:33
Yeah.
00:00:34
Well.
00:00:35
Welcome back to Killer Cuties Podcast.
00:00:37
It's us.
00:00:40
Happy Tuesday.
00:00:42
Ugh, Tuesdays.
00:00:44
Yeah.
00:00:45
Well, we're here to talk about Night Bitch.
00:00:47
It's drawing Amy Adams.
00:00:50
Brand new film.
00:00:52
Limited release film.
00:00:54
Sorry about that.
00:00:55
I didn't realize.
00:00:57
I thought it was more widely released.
00:01:00
had to drive out to BFE to be able to see it.
00:01:02
Yeah, sorry that happened to you.
00:01:04
And that's a day.
00:01:07
No big deal.
00:01:08
I got my popcorn.
00:01:10
yeah, that's the most important part of going to a movie, the snacks.
00:01:15
I got the new, you don't experience this.
00:01:17
Do you have Harkins?
00:01:20
well Harkins has these cups.
00:01:22
You spend like $9 on them once and then you get $3 refills forever.
00:01:28
But there's a new one every year.
00:01:30
And in December, they start giving out the next year's cups.
00:01:34
So I got my 2025 cup.
00:01:36
It's really dumb.
00:01:37
I don't like that.
00:01:38
Usually they're cool.
00:01:39
But this one is just like a bunch of H's and all the H's are different.
00:01:43
Like one of them looks like Shrek, one of them looks like a dinosaur, one of them is like furry.
00:01:47
I don't know.
00:01:49
It's not as fun as years past.
00:01:54
It's okay.
00:01:55
Well, should we do some news before we get into the bitch?
00:01:59
Yeah.
00:02:00
Let's do it.
00:02:04
Okay.
00:02:05
There's a 1975 creature feature called the Giant Spider Invasion.
00:02:13
Well, if you've ever wanted to make a sequel to that film or a remake of that film, now is your chance.
00:02:19
Well, technically today, the day we're filming this is your chance.
00:02:24
it's already happened.
00:02:25
Sorry.
00:02:25
But yeah, you missed your chance.
00:02:28
Sorry.
00:02:29
They auctioned or are auctioning right now off the rights to the film.
00:02:36
Yeah, the winner will receive the rights as well as the original 35 millimeter negative of the original film.
00:02:42
And the spider animatronic from the original is also going up for auction.
00:02:45
They're expected to bring in just shy of a hundred thousand and around thirty thousand respectively.
00:02:50
It's happening literally right now in Beverly Hills.
00:02:56
So by the time you're hearing this, there'll already be a buyer, but excited to see how that plays out.
00:03:01
I can't believe you made me film during the auction.
00:03:03
I could be there, kd.
00:03:04
Yeah.
00:03:06
Yeah, sorry.
00:03:09
And it's not it's not just I mean it's a bunch of like horror and thriller memorabilia and so it would have been cool but yeah.
00:03:21
reboot of the spider invasion.
00:03:25
Very fun.
00:03:26
hope they make a habit out of that because that would be really fun to Maybe one of these days.
00:03:30
I'll have an extra hundred K laying around and I can just buy the rights to a movie
00:03:33
then you'd also have to have the money to make the movie.
00:03:38
That's what investors are for.
00:03:39
That's true.
00:03:40
That's a good point.
00:03:44
That's all you need is 100K in your dream.
00:03:46
you know very true
00:03:51
Yeah.
00:03:52
first news for me, we already know that Luca Guadagnino is going to be directing a new adaptation of American Psycho by Brett Ellis Easton Ellis.
00:04:10
And for a while, the rumor was that Jacob Elordi was the front runner for the lead role.
00:04:14
However, Variety has announced that Austin Butler will be starring as Patrick Bateman instead.
00:04:22
Hooray!
00:04:23
Yeah, I'll leave glib.
00:04:26
What is it?
00:04:27
What is the dune thing that you always say to me?
00:04:29
We sound okay, Eve?
00:04:31
There it is, Caib.
00:04:33
That's the name of a character.
00:04:35
I thought it was like a cheer.
00:04:37
No.
00:04:39
It's a character.
00:04:43
Yeah.
00:04:44
That might have been the funniest thing I've ever said.
00:04:45
There's this guy that looks like Timothy Chalamet and he was riding a bull very well.
00:04:51
Like doing tricks and shit on the bull.
00:04:53
And I sent it to you on TikTok with the caption, Lisa on y'all guy Eve.
00:04:59
Yeah, I did get the reference, but I thought it was...
00:05:02
is that his name in the movie?
00:05:05
He is the weasel in El Gaib, yes.
00:05:08
it's like a title.
00:05:10
Okay, interesting.
00:05:12
How fun.
00:05:13
Anyways, Austin Butler with hair appearing soon.
00:05:18
I'm just glad that it's like a generic white boy.
00:05:22
That's exactly who Patrick Babin needs to be.
00:05:26
For the first time in my life, I'm advocating for them to hire a basic white boy.
00:05:32
Yeah.
00:05:33
Maybe he'll get like an old American accent and he'll keep that for a little while.
00:05:38
Kick his Elvis accent.
00:05:40
yeah, we can only hope.
00:05:43
Okay, next from me.
00:05:45
This one's actually happening now when you're listening, not now when we're recording.
00:05:51
Yes, the Hollywood Forever Cemetery, another Hollywood event.
00:05:55
All my news is tailored exclusively to you.
00:05:59
Is going to be transformed into an immersive experience celebrating the release of Nosferatu.
00:06:07
Yes, which as a reminder, it releases on Christmas Day, a Wednesday.
00:06:10
Interesting.
00:06:12
Moana came out on the day before Thanksgiving, Wednesday, the Wednesday before.
00:06:15
Isn't that weird that they're doing Wednesday?
00:06:17
Whatever.
00:06:19
Yeah, but yeah, whatever.
00:06:22
Anyway.
00:06:23
not gonna release a movie on Black Friday, so they do it on the Wednesday instead.
00:06:28
Yeah.
00:06:28
Thanksgiving.
00:06:30
Right.
00:06:30
Okay.
00:06:31
Anyway.
00:06:34
From December 16th through 18th.
00:06:36
So you've got today and tomorrow, if you're listening to this on release day, they're going to transport guests into quote, the Gothic ambience of the film where you can
00:06:44
explore the carefully curated dark spaces filled with screen use props, occult artifacts, relics, costumes, and strange inhabitants, all while reveling in the eerie soundscape and
00:06:55
epic score from the film's composer.
00:06:57
Wow.
00:06:59
Yes.
00:07:01
Question, is that a real cemetery?
00:07:03
The Hollywood Forever Cemetery?
00:07:05
The Hollywood Forever Cemetery is a real cemetery, but it's most well known now for a thing called Sinaspia, where they host movies in the cemetery and you can go and watch
00:07:19
them.
00:07:20
But yes, there are actual gravestones.
00:07:23
Is it like disrespectful to hold these events there, do you think?
00:07:27
I don't know.
00:07:29
I want to say that it's like people who worked in the industry are buried there.
00:07:33
So it's like to honor that is like the idea behind it.
00:07:36
I've gone I went to see Jaws there.
00:07:38
Yeah, well, I got really high.
00:07:43
fun.
00:07:44
Yeah.
00:07:44
But yeah, it's like a kind of like a picnic-y thing.
00:07:50
You're able to bring your own food and I think you're allowed to bring like beer and wine as well.
00:07:58
And yeah, you just get your little spot.
00:08:01
People like camp out beforehand so that you can like get a good spot.
00:08:05
It's fun.
00:08:06
Yeah, big fan.
00:08:08
somewhere around us but instead of a cemetery it's a lake so you have to BYOB.
00:08:12
Bring your own boat.
00:08:14
ooh, that'd be fun to see jaws.
00:08:17
Well, yeah, I was going to see Jurassic Park, but to your point, much more fun to see Joss there.
00:08:23
Yeah, yeah.
00:08:26
Okay, last news for me.
00:08:30
We are getting another Stephen King adaptation.
00:08:34
His short story, Autopsy Room 4.
00:08:38
It's gonna be written and directed by Ranjit S.
00:08:40
Marwa, who I don't know any of his work, but I think he's British, so he's films overseas.
00:08:50
But yeah, it's supposedly going to delve into the mind of a man who after a life-threatening accident wakes up to find himself trapped in an autopsy room.
00:08:58
Could be fun.
00:09:00
Yeah.
00:09:02
But yeah, we don't know release date or anything yet.
00:09:04
Just we know it's getting an adaptation.
00:09:07
So exciting news for King fans.
00:09:10
Not that like, yeah, I'm like, King fans are fed every day of the year.
00:09:15
Yeah.
00:09:16
Well, when you have as prolific of a body of work as he does, it's pretty easy to keep making shit out of it.
00:09:26
OK, last one for me.
00:09:28
Halsey, the singer songwriter.
00:09:31
Was she in American Horror Story once?
00:09:33
I think she was.
00:09:33
I'm going to make that up.
00:09:37
Either way.
00:09:38
Singer-songwriter Halsey is branching out even further into TV.
00:09:42
She's creating a dark comedy series called Bloodlust for Amazon Prime Video.
00:09:47
It's been in the works for a while now.
00:09:49
We just didn't have any details.
00:09:50
She's writing, executive producing, and serving as creator.
00:09:54
And we've got director Ty West on board and showrunner Mark Friedman.
00:10:02
Halsey's not gonna star in it, but...
00:10:05
Yeah, it's like I said, it's been in the works for a while now.
00:10:08
So we should get some more news here soon that the plot and everything is really under wraps still.
00:10:14
But more to come.
00:10:16
Nice.
00:10:17
I just looked it up.
00:10:18
She's nine American Horror Story.
00:10:21
But collabing with Ty West does make sense because she was in the new Maxine.
00:10:26
that was was him.
00:10:28
tie works real fast.
00:10:30
He pumps it
00:10:31
He really does.
00:10:34
So fun.
00:10:35
Yeah.
00:10:36
All right.
00:10:37
Are we ready to talk about NightBitch?
00:10:39
Okay.
00:10:40
I'll start.
00:10:46
If you haven't seen it, pause here, go watch it and then come back.
00:10:50
Or if you don't care, here's a little tidbit of what it's about.
00:10:53
An artist who pauses her career to be a stay at home mom seeks a new chapter in her life and encounters just that when her nightly routine takes a surreal turn and her maternal
00:11:03
instincts begin to manifest in canine form.
00:11:06
That's from Google.
00:11:08
It is directed by Marielle Heller, who also wrote the screenplay.
00:11:13
It was based on a book called Night Bitch by Rachel Yoder.
00:11:17
It stars Amy Adams and Scoot McNary.
00:11:20
Second time seeing him play an incompetent dad.
00:11:26
Just joking.
00:11:28
It currently has a 6.2 out of 10 on IMDB, a 60 % critic score and a 69.
00:11:32
Nice.
00:11:33
Audience score on Rotten Tomatoes.
00:11:36
I couldn't find a budget for the movie.
00:11:38
I don't know, but I do know that Searchlight Pictures spent about 25 million just on the rights to the book.
00:11:43
So.
00:11:44
lot of money.
00:11:45
Yeah, it was like a huge bidding war apparently.
00:11:47
And I also wasn't able to find any information on what it's made so far during its limited release in select theaters.
00:11:53
So TBD.
00:11:55
We don't know.
00:11:57
$25 million to buy the rice just to have a limited release?
00:12:01
Yeah.
00:12:02
and
00:12:05
The one fact we found on IMTV.
00:12:08
It was supposed to go straight to streaming on Hulu.
00:12:11
So, I found an interview with Heller who said that that's a lie.
00:12:17
I know, I was like, wait, this is the one fact I had to be had and you're telling me it's not true.
00:12:23
my god, that's hilarious!
00:12:25
Yeah, the interviewer brought it up and was like, am I wrong on that?
00:12:28
She's like, you're not wrong that the internet said that, but the internet is wrong.
00:12:32
So she knows that it's been out there.
00:12:34
She doesn't know why that rumor got started.
00:12:36
But apparently she says that this release was always the plan.
00:12:40
They just got pushed back because of the strike, but that they were always planning for a theatrical run.
00:12:45
So who's to say?
00:12:48
Well, I would think Mario Heller.
00:12:50
I would think so too.
00:12:53
Crazy.
00:12:54
Well, don't believe everything you read on the internet, kids.
00:12:57
Yeah, check your sources.
00:13:00
I didn't even mean to check it if I'm being honest.
00:13:02
I just found it in the interview.
00:13:05
I was scraping, trying to find fun facts for you guys.
00:13:09
Yeah, the new movies are hard to find fun facts, but we do our best.
00:13:13
Yeah.
00:13:14
Well, you've read the book.
00:13:18
okay.
00:13:19
I didn't finish it.
00:13:21
Hahaha!
00:13:24
I was gonna be like, walk us through the differences, Katie.
00:13:26
Here, I find out.
00:13:27
You don't even know.
00:13:29
a lot of differences.
00:13:30
There are two scenes that I was really looking forward to them going balls to the wall with, that one was not included and one was changed pretty significantly.
00:13:42
So the first one that I was really looking forward to, because I thought it would be very funny and I was really interested to see how they did it, was when the dogs start coming
00:13:51
around to the house, the mom has this like...
00:13:54
one of those sleepless nights, you know, and she goes outside to see the dogs and the kid comes with her and the dogs start babysitting the kid.
00:14:03
Like giving him a bath, putting him in, tucking him in bed while the mom is like resting or whatever.
00:14:09
I was really excited to see how they handled that and they just did it.
00:14:13
And that's also about the time where it's explicitly stated in the book, not so much in the movie, that the three main dogs are the three moms from
00:14:24
Book babies, which like is implied in the movie, but it's much more explicit in the book.
00:14:30
Yeah.
00:14:30
I honestly did not get that from the movie until I started reading like stuff about the book afterwards.
00:14:39
Yeah, and that's another thing I was looking forward to is that I was excited to see how they found breeds and people and matched them together.
00:14:48
I think they did an okay job with Amy Adams.
00:14:51
Her breed match was okay.
00:14:54
But I was thinking the moms would look more like dogs or the dogs would look more like the moms.
00:14:58
I don't know.
00:15:01
And then the other scene that I was hoping that they went balls to the wall with.
00:15:07
that they did not was she kills the cat in human form not in dog form
00:15:16
Yoder and Heller both said, you know, it's probably best if we do this a little bit less aggressively.
00:15:24
It's like one thing to put that on the page and a completely different thing to put it on screen.
00:15:30
So, yeah.
00:15:32
Yeah, I read an interview with Amy Adams where she was talking about toning that scene down because she was like, it's really hard to come back from that.
00:15:41
Especially when you're showing it.
00:15:43
And I actually was reading a lot about people who DNF to the book because of that scene.
00:15:49
And I was like, damn, what the fuck does she do that again?
00:15:53
It's crazy.
00:15:56
Very graphic.
00:15:57
very graphic.
00:15:59
And I also read an interview with Yoda herself and she said that she's still bothered by the scene and she wasn't sure that it was written correctly.
00:16:10
But she was like, I still feel like it's a necessary scene for both the character and the audience.
00:16:16
But yeah, she was like, she understood why people got uncomfortable by it.
00:16:21
Yeah, yeah.
00:16:23
Or read about it.
00:16:25
Reading about it is probably worse.
00:16:28
I don't know, maybe.
00:16:29
Yeah, I'm wondering in the book, is it more graphic her transformation?
00:16:38
It's yeah, well, no, not really.
00:16:43
No, the transformation was what I was missing in the movie that she put in the book was how she was trying to repress it.
00:16:53
She was doing she was like, OK, I'm going to allow myself one bark a day, which was really funny in the book.
00:16:59
So funny.
00:17:00
And she doesn't do that really in the movie.
00:17:04
But she and she tells the husband.
00:17:07
straight up in the book.
00:17:08
I think I'm a tail.
00:17:11
And the husband's like, you're, you're crazy, whatever, like no big deal.
00:17:17
But I think the the, like, graphicness of the transformation was done similarly.
00:17:26
Okay.
00:17:27
Yeah, I know Adams and Heller kind of talked about how far they wanted to go with it and how much they wanted to show of the transformation.
00:17:37
They both agree they didn't want like a big special effects like American Werewolf in London type of thing.
00:17:44
So they kind of just toned it down a bit.
00:17:46
Yeah, and I thought it was beautifully done.
00:17:48
The like the physical transformation in that one scene where she's like actually turning into the dog was well done and the like little snippets of body horror we got with the
00:17:58
hair and the fishing around and the
00:18:01
the one scene.
00:18:03
Yeah, I guess it was just a one.
00:18:05
It was fun.
00:18:06
I don't know, I think we got to that point when she starts pulling it out and I was like, okay, here we go.
00:18:13
It's about to start, it's gonna be this weird body horror movie and then they never do anything like that ever again.
00:18:22
And so looking back now, it just feels really out of place because it just doesn't match the tone of the rest of the movie at all.
00:18:32
I feel like they either needed to tone that down or ramp up everything else.
00:18:37
Yeah.
00:18:38
Yeah.
00:18:39
Yeah, I wish they had ramped up.
00:18:41
I wish I'd ramped up.
00:18:43
Yeah, was, yeah, I was kind of disappointed in the fact that they didn't really go for it.
00:18:50
Like this is a movie to let loose and really go balls to the wall.
00:18:55
And it felt very reserved, which was surprising to me.
00:19:00
Yeah, because we've said the book is not as reserved with the with the transformation it, you know, it was less about like visuals and stuff and more about how she was feeling how
00:19:12
she didn't want it to happen.
00:19:15
So I guess I was honestly surprised to see her like fishing around in there like that.
00:19:19
But I do wish there had been kind of more of that there.
00:19:23
There just wasn't a whole lot of horror in this movie at all.
00:19:26
Yeah, I think this might be like the least horror movie that we've watched.
00:19:33
It did not, besides that scene, if you had cut that, no, it almost felt like sitcom-y to me.
00:19:41
Like it felt like, almost like Santa Clarita diet, but less horror.
00:19:49
Yeah, not not zombie werewolf and less.
00:19:52
And less.
00:19:53
Yeah, less blood, less gore, but like that vibe.
00:19:59
And less funny.
00:19:59
I was expecting this to be a little bit more funny.
00:20:01
Yeah, I kind of want to read the book now because I feel like maybe for the first time ever, the book did not translate well to screen.
00:20:14
And I was so looking forward to it.
00:20:16
They didn't even try the scenes I wanted them to translate.
00:20:19
Like the babysitting scene.
00:20:22
I really wanted that.
00:20:24
Yeah.
00:20:25
I don't know if it's just the book is hard to translate to the screen or if they just wasn't done as well as it could have been.
00:20:32
But to me, it just didn't.
00:20:34
think especially the internal monologuing and then like this idea that some of this is happening and some of it's just in her head, which they
00:20:46
portray on screen, but not in a way that worked for me.
00:20:49
And I can't really put my finger on what it was that was off about it, but something there did not work for me.
00:20:56
I was going bring that up, but exactly opposite.
00:20:59
thought that they, yeah, I thought they did though, like, this is not happening.
00:21:04
This is happening really effectively just with that little like four or five second, like repeat.
00:21:12
Cause that's how, yeah.
00:21:14
they did it well, but then in other moments, yeah, so like the grocery store scene where she's like, how are you?
00:21:22
And then she like goes into this whole rant and then she just repeats, how are you again?
00:21:25
And you realize like, okay, that was all in her head.
00:21:27
That worked.
00:21:28
But then like later on, I think especially with the librarian character where it was like, she gives her this book.
00:21:35
And then later she's like, we don't own that book.
00:21:37
And you think like, okay, now like you realize that wasn't
00:21:41
real but then later she also like does a little wink wink na na so it's like this character just is ever changing back and forth between knowing and not knowing and I don't
00:21:52
think that translated very well I don't think the women in her group being the dogs translated well at all yeah I don't know
00:22:02
straight up in the book.
00:22:04
Yeah, which I got after reading a bunch of things where people were like, Other Jen and Dog Jen.
00:22:09
And I was like, what?
00:22:11
Well, and that's another thing in the book.
00:22:14
She doesn't even have to explicitly say it because it's kind of like the strawberry thing.
00:22:20
Like, you smell like strawberries.
00:22:22
It's kind like that, but more so like, she had like this mean blonde wavy hair and perfect.
00:22:27
Like she's perfect kind of thing.
00:22:29
Right.
00:22:30
the only clue they gave us in the movie where it was like, no, there was really no indication except for the strawberry scene where it was like, wait, is that what they're
00:22:40
trying to portray?
00:22:42
far too subtle.
00:22:44
Yeah, yeah, Yeah.
00:22:47
Yeah, I was pleasantly surprised to see them get back together at the end because I hadn't gotten that far.
00:22:55
I got right about the time that the divorce happens and I'm like, I don't want to.
00:23:03
Yeah, they actually I was reading an interview with Rachel Yoder and she said that it was very, very important to her that my bitch became friends with Jen in the end because she
00:23:14
felt like almost uncomfortable when she was writing Jen because it's through the lens of the main character who sees her as this kind of cliche.
00:23:24
my whole life is about motherhood and that was not how she felt.
00:23:27
And so she didn't like that she was kind of stereotyping Jen and she really wanted them.
00:23:33
to learn that she's a deeper character than that and she has more to offer than just this idea of what Night Bitch thinks of her.
00:23:42
Totally.
00:23:44
Yeah.
00:23:44
So I like that.
00:23:45
I like a movie that doesn't pit women against each other.
00:23:47
And I feel like it kind of started that way where like, she's like, why am I supposed to be friends with people just because they have babies too, which I get, but also I was
00:23:56
like, man, don't hate them.
00:23:58
Yeah.
00:23:59
Very relatable, though.
00:24:01
Yeah, I'm glad that you said that it was like the book was way funnier though, because I was a little bit like, is it just not translating for me because I'm not a parent?
00:24:10
But a lot of the jokes that they put in, was like, that's just kind of sad.
00:24:16
That's not that funny.
00:24:17
Yeah, I mean, I think a lot of the humor is parent humor for sure.
00:24:24
But even still, it's funnier.
00:24:25
The book is funnier.
00:24:28
Yeah, that was.
00:24:28
ending is different, which I won't talk about because you haven't read it.
00:24:34
Well, I guess it's not all different, but the art installation is different.
00:24:38
Like it's more graphic.
00:24:41
Like she uses like actual bones from animals she's killed to create a dog skeleton.
00:24:47
And then I think she's like actually killing bunnies on stage during the performance.
00:24:53
I didn't know about the actually killing bunnies, but she does use the bones of real animals in the movie.
00:24:58
Yeah, it's just not like, she doesn't build the skeleton of the dog with the bones.
00:25:04
And I think it's more obvious.
00:25:07
Does she?
00:25:07
I thought they were just hanging around the carousel thing.
00:25:11
and she she's doing all of the like stuffing of the animals and she builds all the skeletons and then hangs them.
00:25:19
Yeah.
00:25:19
Yeah, yeah, yeah, but she does it.
00:25:21
the bones are like, she uses them to create a skeleton of a dog.
00:25:26
the bones of the other animals?
00:25:27
Yes, yes.
00:25:29
So the bones of the animal she kills, she puts together.
00:25:32
And apparently it's more graphic.
00:25:34
Like, I don't know if she like spray paints them all pretty and stuff.
00:25:37
I guess it's just a much more graphic art installation.
00:25:42
And I think like people walked out too and not everybody stayed.
00:25:48
Right, like not everybody was into it because of that.
00:25:50
Like I think she actually like is Night Bitch during the performance.
00:25:57
Yeah.
00:25:58
the dog.
00:26:00
God.
00:26:01
That's kind of fun.
00:26:05
Well, maybe I'll finish it, because I really did like the first half.
00:26:08
just, I don't know why I stopped.
00:26:10
First two thirds.
00:26:12
that's fair.
00:26:13
Amy Adams read the book before it was even published.
00:26:17
Yeah, the manuscript was brought to her publishing team and they were like, hey, you want to help us with this?
00:26:26
And she read it she was like, absolutely I do.
00:26:29
So she was in, she was a fan from the start.
00:26:32
Love that.
00:26:35
another thing that changed.
00:26:37
Just a subtle thing.
00:26:40
Baby sleeps in a crate, not in a bed in the book.
00:26:46
Yes, little cage.
00:26:47
She goes and buys him a crate.
00:26:50
And it works.
00:26:54
The Mariel Heller said specifically like America's immigration like policy alone influenced that.
00:27:04
You don't want to see a kid in the cage.
00:27:06
Yeah, mean, yeah, they were actually putting kids in cages,
00:27:10
See you
00:27:13
Merica.
00:27:17
But I think at the same time, I think that's what the book did right.
00:27:21
The book just like went so crazy.
00:27:26
Like you're not gonna put your kid in a cage.
00:27:28
That was the point.
00:27:30
I would put my kid on a dog bed.
00:27:31
My kid has slept on a dog bed.
00:27:33
Like that's normal.
00:27:36
But the point is that she's turning into a fucking dog.
00:27:38
That's not normal.
00:27:40
Yeah.
00:27:42
Circling back kind of to the opening scene where they're at the grocery store, that was pretty much always going to be in the middle of the movie.
00:27:53
And then it was a last minute decision.
00:27:55
Heller said that she was like, what if we just, what if we put it at the beginning?
00:28:01
So they moved it up kind of like a cold opening, which again, very sitcom-y.
00:28:05
That's what it felt like to me.
00:28:07
So I don't know.
00:28:09
Yeah.
00:28:09
Makes sense.
00:28:10
I liked that one as the opening.
00:28:14
It felt good.
00:28:16
The other opening scene, the breakfast montage.
00:28:19
The director talked about that having a really percussive element to it and like kind of being really grating.
00:28:25
Like, yeah, it's the monotony of parenting, but also like really like, you know, the noises that maybe on any day, any regular day, wouldn't, it wouldn't bother you.
00:28:35
But when you're having to have those happen every day over and over again,
00:28:39
It gets really monotonous.
00:28:41
But anyway, they edit it really cute, I think, where there's a part where Baby says, seven, eight, and that kind of kicks off the percussive stuff, like music.
00:28:53
I thought that was really cute.
00:28:54
Yeah, that was good.
00:28:56
So do you.
00:28:57
The other thing about like working with kids that it's twins, they worked with twins, usually do.
00:29:05
They had never acted before.
00:29:08
The sort of casting process was very much playing with different sets of twins at a park for hours on end.
00:29:15
And everyone sort of collectively decided to make the filming experience as fun as possible for the kids, which is great.
00:29:24
But whenever they were performing,
00:29:26
they were performing for Marielle Heller.
00:29:29
Like Marielle Heller kind of built this really great relationship with them, went out of her way to be a trusted resource for them essentially.
00:29:37
So if they were ever looking off screen, which they did a couple of times, you notice them look off screen a couple of times, they were looking at Marielle Heller.
00:29:44
Yeah.
00:29:46
Mm-hmm.
00:29:47
I feel like in the opening scene when they're pushing the cart down the aisle, the kid just like looks directly at the camera at one point.
00:29:56
was like aw.
00:29:57
Yes.
00:29:59
The scene where they're filming or the scene where they're in the park and the kid gets lost.
00:30:07
He's just on the other side of the hill or whatever.
00:30:09
That was day two of filming.
00:30:11
And Marielle Heller said that Amy Adams screaming and running directly at the kids was not fun for them.
00:30:18
So the kids would get up and run away and scream and be like, somebody chased me.
00:30:23
No.
00:30:24
So they had to, they had to really, it was not Amy's fault at all.
00:30:27
She said, it was just like, it's a stranger running after you.
00:30:31
So they had to really take their time to figure out how to like gamify it for them, essentially make turn it into a game.
00:30:37
Yeah.
00:30:37
always think it's like...
00:30:39
I don't know, I just feel like that would be so awkward.
00:30:43
What?
00:30:44
to be like holding and like kissing a kid that's not yours.
00:30:47
I don't know.
00:30:48
Or like to be the parent and have someone like pretending to be their mom for them.
00:30:52
I don't know.
00:30:53
The whole thing about it is just weird to me.
00:30:55
I'm firm believer that kids shouldn't be in movies at all.
00:31:00
That's pretty, probably pretty controversial because like how would you even make this movie?
00:31:03
But still, I don't know why...
00:31:05
Why are kids laboring?
00:31:10
Yeah.
00:31:12
I mean, of all the movies that we've seen where there's like a child mother element, I feel like this one did a really good job making it sellable.
00:31:20
I even found myself thinking at one point like, is this Amy Adams' kid?
00:31:23
Like, what the fuck?
00:31:26
Yeah, the button, they, yeah, it felt real.
00:31:30
Yeah.
00:31:30
And it sounds like they really put a lot of effort into making sure that it did by making the kids comfortable, which is great.
00:31:37
How long did it take you to realize that you didn't have names for anybody?
00:31:41
Not that long.
00:31:44
yeah, I can't remember the exact scene.
00:31:48
I feel like something called out and I was like, did they just say her name?
00:31:52
And then I was like, wait, I don't know her name.
00:31:55
That was when I was like, wait, okay, yeah, no.
00:31:58
Yeah.
00:32:02
reading the book, took me hours.
00:32:05
Not reading.
00:32:05
I was listening to the book.
00:32:06
It took me literally hours to realize like, I don't know any of these people's names.
00:32:11
But that was very intentional, obviously.
00:32:14
And the director found it very kind of true to human nature that nobody has names.
00:32:21
Because you kind of get lost in this, I don't know, in like the parenthood of it all.
00:32:27
Mm-hmm.
00:32:28
and you just kind of start identifying as Tommy's mom or Suzie's mom or whatever like that's your identity after you have kids so she kind of kept it that way and kept that
00:32:38
like anonymity from the book which I liked.
00:32:43
Yeah, I also read something from Rachel Yoder and she was talking about how the whole aspect of Night Bitch's backstory and her mom, she almost cut that because she herself
00:32:59
comes from a Mennonite community in Ohio.
00:33:02
And so showing that, she almost felt it was too specific.
00:33:07
Hmm.
00:33:08
And she's like, everything else is so broad, like they don't have names and they're in this, like, indescript American neighborhood.
00:33:16
Like, it's not ever...
00:33:17
It's very broad.
00:33:18
It's very, you know, insertable.
00:33:21
And so she felt like that was almost too specific to this otherwise very broad story.
00:33:27
But she left it in because she really wanted to carve out that Night Bitch is creating a new narrative and she's not.
00:33:36
doing what her mom did and kind of breaking that generational trauma, I guess.
00:33:41
Mm hmm.
00:33:42
Yeah, I mean, I liked having the kind of backstory to like, this isn't something that's just randomly happening to one generation of women.
00:33:49
It's kind of like passed down.
00:33:51
There's a shared experience amongst women in this.
00:33:55
So I didn't mind those scenes that I kind of forgot all about them, though, until you just said something.
00:34:02
Hmm.
00:34:04
I don't remember that being in the book.
00:34:06
apparently it is.
00:34:08
Well, maybe in the third that I didn't read.
00:34:13
Maybe, yeah, the last half they're like, also her mom's a Mennonite.
00:34:19
another tidbit about the author.
00:34:21
She said that she never really planned to write a book about motherhood.
00:34:25
It was never really in her frame of view, but then she said there was kind of a wave of books about motherhood that came and she's like that just really kind of opened the door
00:34:36
for her to write her own version of it.
00:34:40
She also said that she didn't read many of the intellectual mom books, but she knew they were confronting the topic with admiral intellect and big brain approaches and that she
00:34:49
knew that that would not be her approach.
00:34:54
And I think that's funny.
00:34:57
So true.
00:34:59
that's funny.
00:35:00
No.
00:35:02
Any other fun facts?
00:35:04
Yeah.
00:35:07
Gosh.
00:35:11
I mean, yeah, kind of.
00:35:14
One, very happy to see Jessica Harper in this.
00:35:19
She plays the librarian.
00:35:21
And she is also the main character in the original Suspiria.
00:35:27
Yeah, me.
00:35:29
Yeah, I sure didn't.
00:35:33
Yeah, so it's very good to see her again, because admittedly I have not seen a lot of her work, but love Suspiria, so spoiler for whenever we get to that.
00:35:43
She was really cute in this too.
00:35:46
Amy Adams also said that
00:35:49
The first project that she was ever a producer on was Sharp Objects.
00:35:54
She was the executive producer.
00:35:55
And she said that basically made her really want to continue producing because you just get to be involved in all aspects of it.
00:36:02
And she was very happy that she could actually have an impact on the final product versus when you're just an actor, you don't really get that much of a say.
00:36:11
So it's interesting as a Sharp Objects enjoyer.
00:36:18
Couldn't be me.
00:36:19
Yeah, so sad to me.
00:36:22
I'll try again someday.
00:36:23
I hope.
00:36:25
It's just really heavy.
00:36:26
Yeah.
00:36:29
I like I'm just talking now.
00:36:32
that's all I had.
00:36:34
did put like, I did specifically say in my notes, like, I'm sorry for making you watch this.
00:36:40
This definitely is not a movie for everyone.
00:36:44
I was expecting much more comedy, much more gore, the outrageous behavior of the dogs.
00:36:52
But they really pared all that back.
00:36:55
Yeah, I mean, I won't spoil yet what I think of it.
00:37:01
It wasn't my favorite movie I've watched this year.
00:37:08
But it did make me want to read the book.
00:37:11
Good.
00:37:12
to give it some redemption.
00:37:14
yeah, yeah.
00:37:16
I don't know, yeah.
00:37:18
I kind of had mixed feelings about it and it's...
00:37:22
I don't know.
00:37:23
Part of it just comes from me not being a parent.
00:37:26
So like, I'm never gonna understand what that's like, right?
00:37:29
And it's very confusing to me because I feel like a lot of parental media is all about like how terrible it is, but that you'd always do it.
00:37:39
And I just have just is there's a disconnect there, where I feel like a lot of the times they're showing the bad parts of it without really ever explaining what the good parts
00:37:48
are.
00:37:50
And so it's like it's
00:37:52
It's like when you watch a movie about Mount Everest and like someone's climbing Mount Everest and they die and it's like, well, yeah, like what did you think was going to
00:38:04
Like, yeah, motherhood sounds terrible.
00:38:08
If you want to do that, great.
00:38:09
I'm not like full support, just like if you want to climb Mount Everest, but like, girl, you knew that this was gonna happen.
00:38:17
Yep.
00:38:18
Yeah, you can't then complain about it when you die.
00:38:22
Right?
00:38:22
It's like, come on, what did you think was gonna happen?
00:38:25
Obviously I'm talking about people who like choose to become parents.
00:38:28
There are some people with kids who did not really choose that lifestyle.
00:38:32
But yeah, I kept waiting, I think for us to find out that like her husband pressured her into it or something like that.
00:38:38
And then it was just like her regretting her choice to do it, which is fair.
00:38:43
That's valid.
00:38:44
Like if you think that that's a lie for you and then you realize.
00:38:47
never mind, I do want to keep my job.
00:38:49
I think that that's a very valid thing.
00:38:51
But then her being like, I need a separation from my husband, who really only ever supported her decision.
00:38:58
I was like, wait, what did Scoot do?
00:39:00
Come on.
00:39:03
But I like that they kind of, she just needed that space.
00:39:06
And I think she just needed to know that he could, like, pull his weight with the kid before she stepped into that.
00:39:13
So I do, I did get it more once.
00:39:15
she kind of started doing her own thing.
00:39:16
And he was like, yeah, actually, kid just threw spaghetti on the floor.
00:39:21
Yeah.
00:39:24
Yeah, I liked the way that they handled the relationship and the dynamic between the two of them.
00:39:28
It was very real and effective to me.
00:39:34
last fun fact.
00:39:35
Okay.
00:39:37
Haller said that she saw some men having really adverse reactions to this movie.
00:39:44
And she wasn't expecting that at all, which also I would not expect.
00:39:48
But she was like, I just thought it was a funny movie.
00:39:51
Like my husband thought it was funny.
00:39:52
And she thought that it gave equal measure to both sides.
00:39:56
And she didn't feel like the husband was really vilified at all, which I also felt like I didn't.
00:40:02
I didn't feel like he was a bad guy, maybe a little bit ignorant about what it takes to raise a kid, but...
00:40:10
I did feel like he was putting in effort.
00:40:14
So yeah, she didn't realize that it was that polarizing, so she was kind of surprised by that reaction.
00:40:19
Yeah, you know that.
00:40:23
Well, new litmus test just dropped.
00:40:27
Make your husband read NightBedge or watch the movie.
00:40:31
He has an adverse reaction.
00:40:33
Divorce, babe.
00:40:34
Divorce.
00:40:35
Red flag.
00:40:37
Well, you know, what's...
00:40:40
Maybe I shouldn't admit this, but I saw myself in both characters, honestly.
00:40:45
Because, you know, it's just...
00:40:49
It's a spectrum and maybe I'm lucky to have that spectrum because I'm sure some women don't.
00:40:53
I'm sure some women have, you know, 100 % of Amy Adams exp...
00:40:57
Well, not 100%, but you know.
00:41:00
You know what saying.
00:41:01
But...
00:41:03
You know, there are days where I'm just sitting around playing video games and Dylan's doing everything.
00:41:08
And God bless him for that.
00:41:10
Hahaha
00:41:13
Anyway.
00:41:15
Yeah, I don't think that that's a bad thing to admit as long as the couple has open and honest communication about what their responsibilities are.
00:41:27
And I think it's all about just distributing the weight in a way that works for the couple, you know?
00:41:35
Yeah.
00:41:36
Yeah.
00:41:38
Anyway, okay let's rate it.
00:41:42
Okay.
00:41:44
How scary did you think it was?
00:41:45
One out of five.
00:41:49
Yeah, it was not very scary at all.
00:41:52
It was a romp.
00:41:55
Kind of.
00:41:56
the, yeah, sort of.
00:42:00
Yeah, they took even the like tangently scary stuff out from the book and didn't put it in the movie.
00:42:07
So I also gave it a 1.
00:42:08
Yeah.
00:42:10
How sexy did you think it was?
00:42:12
One.
00:42:14
Yeah, motherhood is not sexy, and this is a film about that.
00:42:19
And even the like, very uninspired sex that they showed could not bump that up at all.
00:42:26
One.
00:42:28
You?
00:42:29
I agree, I also gave it a 1.
00:42:32
I am terrified of motherhood and so that does not rain sexy for me at all.
00:42:43
And yeah, the sex scene, sorry, I guess I have to be the one to say it, shower sex, not sexy.
00:42:50
That wasn't the only sex scene.
00:42:53
Yeah, it is.
00:42:56
Yeah.
00:42:58
Yeah.
00:43:00
And can't use lube in the shower or you'll fall.
00:43:03
Too slippery.
00:43:04
been there done that.
00:43:06
Sorry that happened to you.
00:43:07
Yeah, it's very traumatic.
00:43:10
Not even the most traumatic sex thing in the shower that's happened to me.
00:43:15
Yeah.
00:43:16
You don't have to share.
00:43:18
I shan't.
00:43:21
DM me after.
00:43:22
Okay, yeah.
00:43:24
I'll tell you.
00:43:24
I'll tell you on the side.
00:43:25
If you want to know what happened to me, leave a comment.
00:43:32
And maybe I'll tell you next episode.
00:43:35
But probably not.
00:43:38
Yeah, yeah, yeah.
00:43:40
Our non-existent Patreon.
00:43:41
Don't go looking for it.
00:43:43
Yeah, that's true.
00:43:44
should, yeah.
00:43:45
When we joke about that, we have to say we don't actually have a Patreon.
00:43:48
But one day we will and Katie's sex story is gonna be episode number one.
00:43:52
yeah.
00:43:53
Yep.
00:43:55
God.
00:43:58
How fucked up did you think it was?
00:44:00
one out of five.
00:44:02
It started with the tail thing, her like pulling the hair out, and then it just...
00:44:07
That was it.
00:44:11
What about you?
00:44:13
1.5?
00:44:15
Yeah.
00:44:17
Well, that and like the idea of the cat dying and it was just all so toned down.
00:44:22
Like this could have been easily a three or four.
00:44:24
Maybe not a four, but a three had they put everything from the book in it.
00:44:29
But they had the chance to go all out and I understand why they didn't, but I'm not happy about it.
00:44:37
Well, they wanted to make it more accessible.
00:44:40
But this feels like the year to not do that.
00:44:43
I mean, the substance is getting award nominations.
00:44:49
That movie did not hold back, so like, if a movie like that is now all of a sudden being accepted into the mainstream, I feel like now's the time to really fucking go for it.
00:45:00
Yeah, okay.
00:45:02
saying.
00:45:04
I mean, I wish they had.
00:45:05
I wish they had too.
00:45:07
I was really excited to see them just go for it.
00:45:13
Overall, what did you think of the film Night Bitch?
00:45:17
I think this is still a good movie.
00:45:19
It's beautifully made, very thoughtful.
00:45:22
It's relatable to at least like 35 % of the population, even more if you include like the dad or people who can relate to the husband.
00:45:32
I really loved the director's approach to production and kind of creating a really safe environment for the kids.
00:45:38
That's important to me.
00:45:39
I think it was really reflected in the final product.
00:45:41
It was very believable and clear that there was a lot of trust built between the cast and
00:45:47
the crew and the kids.
00:45:50
It felt real, it felt like grounded despite being about a literal werewolf.
00:45:56
But it's not, I know they were trying to make it this way, but it's not really an accessible movie.
00:46:04
I think it's important, I think people should watch it because it does a really good job sort of illustrating motherhood and that kind of like loss of identity that comes with it.
00:46:15
But it's not for everyone.
00:46:16
can totally acknowledge that.
00:46:18
There are things missing from the book that I wish that were included.
00:46:20
All to say, I gave it a three and a half.
00:46:23
Thanks.
00:46:24
Yeah, I feel like as a mother I have to give it a little higher than maybe I should.
00:46:27
I would critically.
00:46:30
But I give it three and a half.
00:46:34
How about you?
00:46:35
All right.
00:46:37
Yeah, I think this this wasn't made for me, right?
00:46:42
I'm not a parent.
00:46:44
I have no plans to become one.
00:46:49
This reinforced my idea that I do not want to do that.
00:46:54
But yeah, I just I really wish that they would have pushed it more.
00:46:56
I think it could have been really cool.
00:46:59
And I also think that there is a way to
00:47:04
make otherwise inaccessible things accessible.
00:47:08
Like one of my favorite, well no, my favorite horror movie this year is about the trans experience.
00:47:14
I'm not trans.
00:47:15
That movie was still deeply relatable to me.
00:47:18
So I think that there is a way to kind of toe that line and make it for, at least have things in it that relate to other people or that you can grab onto.
00:47:30
And I feel like I'm usually pretty good at that.
00:47:33
And I wasn't able to do that in this one.
00:47:35
I'm an empath.
00:47:40
But yeah, I don't know.
00:47:41
It just, it definitely fell short for me.
00:47:43
I feel like if they would have, even if it wasn't relatable, but they had pushed that aspect and really went balls to the wall, I still think it could have been a really fun
00:47:51
experience.
00:47:52
But as it is, it just felt so timid and so almost scared to say.
00:47:57
scared to push it, not scared to say what it wanted to say, but that also kind of felt a little handholdy where they were just kind of, again, I feel like this worked better as a
00:48:08
book and I haven't even read the book.
00:48:10
But at least in a book, you know, you're reading someone's internal thoughts and it doesn't feel exposition-y or kind of like clunky, but it did kind of feel like that in the
00:48:19
movie when she's just going on these long-winded like in-her-head rants.
00:48:22
Mm-hmm.
00:48:24
See how it didn't work for me.
00:48:26
I do still think Amy Adams was incredible.
00:48:28
I think it was beautifully shot.
00:48:30
I gave it a 2.5.
00:48:32
Split it right down the middle.
00:48:35
Yeah.
00:48:36
than I thought you'd give it.
00:48:38
Yeah, no, I didn't hate it.
00:48:39
It just wasn't...
00:48:41
I was just begging it to be what it could have been.
00:48:47
Yeah.
00:48:50
Well, would you survive?
00:48:55
I'm doing it right now.
00:48:56
I'm living proof.
00:48:58
I'm thriving.
00:48:59
Well, I don't know about thriving, but I am alive for the time being.
00:49:04
So yeah, I think I would.
00:49:08
You?
00:49:09
Yeah.
00:49:11
No, I would pass a meeting.
00:49:12
No, I'm just kidding.
00:49:14
No, I think I could endure motherhood.
00:49:17
It would not be my choice, though.
00:49:20
Yeah.
00:49:21
Well, it is thankfully in California, your choice.
00:49:24
So yeah.
00:49:27
choice.
00:49:28
We'll see you at the next.
00:49:31
few years goes.
00:49:32
Yeah.
00:49:33
Let's not.
00:49:34
Let's not.
00:49:36
But yeah, no, I think I could do it.
00:49:39
And I would.
00:49:42
Like if my sister doesn't have kids, but you know, like if like a family member, you know, passed and I like had to take a kid in, I would do it.
00:49:52
because I love them.
00:49:53
my, yeah, my goal is to just hold out until Evelyn's old enough to fend for herself and then you can have her as her god.
00:50:07
I'll do all the hard part, then I'll die, and then you can have her.
00:50:14
Until they can at least fend for themselves.
00:50:18
Yeah, that's ideal, but you know.
00:50:21
Yeah.
00:50:27
Okay, would you like to predict next week's movie?
00:50:32
Better watch out.
00:50:33
Okay, yeah, I would like to do that.
00:50:37
Okay.
00:50:42
Okay, Better Watch Out is a Christmas horror film about a murderer who dresses up like Santa.
00:50:54
It's like all the other Christmas horror films.
00:50:56
He dresses up like Santa and he comes down people's chimneys and leaves bombs in their houses.
00:51:04
Wow bombs huh?
00:51:06
Peace.
00:51:08
out the front door because you can't get back up the chimney because you're not actually magic you're just like a bad guy yeah yeah yeah but that way if he's coming down the
00:51:19
chimney if he gets caught by the kid of the family he'll be like ho ho ho i'm just saying does you see me come down the chimney and then he'll still leave the bomb and then he'll
00:51:31
leave at the front door
00:51:32
But it's just, you know, he's creating like an alibi for himself that he actually is Santa.
00:51:37
Mm-hmm.
00:51:40
So yeah, that about sums it up.
00:51:43
He's just like a bomber.
00:51:48
Got it, okay, so bomber Santa Claus kills a bunch of people.
00:51:53
How does it end?
00:51:54
Does he get caught?
00:51:55
Or is there a sequel?
00:51:57
watch out.
00:52:00
Yeah, I was trying to think of other, better not cry.
00:52:03
I was like, what is the next line of the song?
00:52:05
That would actually be a really good name for a sequel.
00:52:09
I like that a lot better than I know what you did last summer, followed by its remake I know what you did last summer.
00:52:14
was thinking better than, now you see me, now you see me too.
00:52:21
Excellent point.
00:52:23
Nobody's ever fumbled a sequel title as hard.
00:52:25
Yeah.
00:52:28
Yeah.
00:52:29
But no, ends, it ends.
00:52:32
No, the bomber gets away with it.
00:52:34
You know what he does?
00:52:36
He's dressed as Santa and somebody's like, my God, that's the bomber.
00:52:39
I watched him drop a bomb in like an actual bomb in a stocking or something in my house.
00:52:48
And then they're like chasing him and he runs through one of those like bar crawls, you know?
00:52:57
yeah, and then he gets lost.
00:52:59
how he escapes.
00:53:01
But at that point, it's Christmas Eve and like the day is over and he's not gonna pretend to be Santa on Christmas Day.
00:53:11
All of the Santa stuff happens on Christmas Eve.
00:53:14
So, and then yeah, and then we just gotta wait until next year when he strikes again.
00:53:21
Damn.
00:53:24
What year did this movie come out?
00:53:26
2016.
00:53:28
Okay, so there's a chance that there's a pub crawl of Santas involved.
00:53:34
Okay.
00:53:36
No?
00:53:37
man.
00:53:39
I'm sorry, this is not about a bomber Santa.
00:53:42
That's too bad, sounds kind of fun.
00:53:44
It does, yeah, I would watch it.
00:53:50
We're gonna have to go back through all these ideas, find the best ones, and just make a movie.
00:53:54
There's bound to be one good one.
00:53:55
I feel like there was a good one.
00:53:57
Yeah, yeah, yeah, I feel like you've had many.
00:54:01
ones that could do very well.
00:54:04
You've had some, you know, a few neons and a few blumhouses.
00:54:09
Yeah, maybe like 1A24.
00:54:16
Yeah, Santa Bomber is definitely the A24 one.
00:54:20
Hahaha!
00:54:23
god yeah, A24 you know how to get a hold of me.
00:54:25
Yeah, Cool, I'm excited to watch this.
00:54:29
It's been a while since I've seen it.
00:54:32
Like, two years, I think.
00:54:34
But yeah, a little Christmas-y horror one for our episode for Christmas Eve.
00:54:42
I know, I'm excited.
00:54:44
I can't believe it's already almost Christmas.
00:54:46
I know.
00:54:48
for as always.
00:54:52
You
00:54:52
Yes, Camilla.
00:54:55
Did you see her interview about that?
00:54:57
Yeah, she was like, I still think I said Christmas.
00:55:00
you don't hear it?
00:55:01
Quizmice.
00:55:02
It would have been so much fucking funnier had she said...
00:55:05
yeah, I definitely said Quizmois.
00:55:07
Yeah, I don't...
00:55:08
I don't...
00:55:09
I lean into it.
00:55:11
Yeah, I don't think she's that girl though, you know what I mean?
00:55:15
Isn't that funny?
00:55:17
No.
00:55:19
I don't get that vibe from her.
00:55:22
Whatever.
00:55:23
nothing wrong, I don't know the girl, but I'm just saying from interviews and stuff She doesn't seem like she has that relatable humor type of type of vibe
00:55:33
Too bad.
00:55:35
Give the people what they want.
00:55:36
Give the people what they Quasnays.
00:55:38
Chris Mois.
00:55:44
All right, well, thanks for listening.
00:55:50
Don't forget to like and subscribe, please.
00:55:53
Follow us on TikTok or YouTube or Instagram, but that's it.
00:56:02
maybe those ones because TikTok might not be around in January.
00:56:09
yeah, yeah.
00:56:10
Instagram, I've been posting our TikToks on Reels and on YouTube shorts now.
00:56:15
So feel free to keep up with us there if the end of days happens and TikTok gets banned.
00:56:24
Wow, it would be so great if Vine came back right now.
00:56:28
They would just take off.
00:56:30
so they could increase it though.
00:56:35
Always six seconds.
00:56:39
But yeah, feel free to let us know in the comments your worst shower sec story.
00:56:45
my god.
00:56:49
And we'll see you next week for Better Watch Out.
00:56:52
And also next week is the holidays.
00:56:53
If you do celebrate, please have a wonderful, safe holidays.
00:57:00
Yeah.
00:57:01
Happy holidays.
00:57:03
All of them.
00:57:04
holidays.
00:57:06
All of them, every single one.
00:57:10
Sorry, I cut off your bye, bye!
00:57:12
Bye.